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Columnist Edward Gherardy

Biography: I like music, the theater and the cinema

Average Rating - 7,7 / 10. 2019. Braden Croft. writer - Braden Croft. . Avery Malone, a wannabe writer and lonely librarian, gets her big break when she's hand-selected to assist her hero, reclusive author, Caleb Conrad. Whisked away to Caleb's remote estate, Avery is given her one and only task; to participate in a controlled psychological experiment in fear that will serve as the basis for Caleb's next novel.

True Fiction Watch stream.nbcolympics. True Fiction Watch stream online. First comment😂😂. Going to watch this episode later today. I love to watch breakdowns first I know its cheating. 💖🐩🐩💖🐾🐾👍🤗😘💗💓💕🇬🇧💀👻🕸🎃☠️. I knew she had to be related to the best man. Kurts the best! Really makes these worth watching. The REAL Question for Season 9 is how DO YOU wear glasses with 1 ear.

But everything you revealed are soo true i love sundays lol. True Fiction Watch streaming sur internet. Are there any old books about Hazel Drew. Sign up for our Watching Newsletter to get recommendations on the best films and TV shows to stream and watch, delivered to your inbox. Netflix adds original programming at such a steady clip that it can be hard to keep up with which of its dramas, comedies and reality shows are must-sees. And that’s not including all the TV series Netflix picks up from broadcast and cable networks. Below is our regularly updated guide to the 50 best shows on Netflix in the United States, ranked alphabetically. Each recommendation comes with a secondary pick, too, for 100 suggestions in all. (Note: Netflix sometimes removes titles without notice. ) In this fascinating and often surprising competition series, contestants are encouraged to be deceitful, even beyond the usual lies and exaggeratons of reality television. Participants interact with one another using a social media app, on which they're allowed to create entirely fictional personas in order to make themselves seem more likable and sympathetic, and hence to win more power in the game. In an article about “The Circle” for the Times, Etan Smallman wrote, “Amid the naked gamesmanship engendered by ‘The Circle, ’ beautiful human stories emerge and generate the tears, most of them happy. ” (For another inventive and emotionally involving reality series, try “ Terrace House. ”) Watch Fans of the strange, sidesplitting Adult Swim spoof “Childrens Hospital” should be entertained by its semi-sequel, “Medical Police, ” a 10-episode mini-series featuring the earlier show’s characters. Still set in a Brazilian pediatric hospital (founded by Dr. Arthur Childrens), the new series extends the original’s parody of earnest doctor dramas by adding an over-the-top riff on two-fisted crime thrillers. The cast includes the skilled comic character actors Erinn Hayes, Rob Huebel, Rob Corddry, Malin Akerman, Lake Bell, Ken Marino and more. (For a different pop-culture parody, featuring many of the same comedians, stream “ Wet Hot American Summer: First Day of Camp. ”) One of Netflix’s longest-running series, “Grace and Frankie” features two show-business veterans, Jane Fonda and Lily Tomlin, playing a couple of very different California women who move in together after their husbands (played by Sam Waterston and Martin Sheen) reveal they’ve been gay lovers for decades. The show is both mainstream and risqué — like an adult version of the sitcoms the co-creator Marta Kauffman worked on in the 1990s when she helped bring “Friends” to the screen. Our critic praised the lead performances, saying that Fonda and Tomlin “ pull this comedy about 70-somethings back from the brink of ridicule. ” (For another lively sitcom about underdog women, watch “ GLOW. ”) The American version of Ricky Gervais and Stephen Merchant’s satirical mockumentary series “The Office” softens some of the original’s bite, but is still a funny and at-times harrowing look at the everyday miseries of white-collar work. When it debuted, our critic called it “the kind of seditious, unconventional comedy that viewers say they want and that television executives insist could never draw a broad enough audience to be a network success. ” Viewers proved those execs wrong, though; the American remake ran for nine seasons. (Netflix doesn’t currently carry the British “Office, ” but it does have Gervais’s and Merchant's very funny follow-up, “ Extras. ”) Before the writer and actor Phoebe Waller-Bridge started winning accolades for her raw and innovative series “Fleabag, ” she created and starred in the British sitcom “Crashing, ” about a group of friends who live in an abandoned hospital. The vibe is similar to “Friends” and “Coupling, ” with stories about the passions, pastimes and petty humiliations of people in their 20s. But Waller-Bridge’s cynical sense of humor makes the comedy more acerbic. Our critic called it “ sharp, funny and furiously up to date. ” (For another frank comedy about the love lives of young Londoners, watch “ Chewing Gum. ”) The family-friendly 1960s fantasy series “Lost in Space” gets a big-budget overhaul in this remake, notable for its state-of-the-art special effects — and for its more modern, serialized spin on the original’s tale about interstellar colonists who are knocked dangerously off course. Our critic called it “ a distillation of several generations’ worth of family-adventure and science-fiction blockbusters. ” It’s also a showcase for two terrific actresses: Molly Parker, as a starship commander and a ferociously protective mom, and Parker Posey, as a marvelously manipulative con artist. (For a more cerebral take on pulpy science-fiction, try “ The OA. ”) At a community college in a small Texas city, a cheerleading program competes for championships nearly every year. The touching and tense reality series “Cheer” documents the pressures faced by the school’s coach, who tries to put the best team on the mat while managing injuries, egos and the dreams of kids who mostly come from poor and working-class backgrounds. Our critic wrote: “ Be prepared to cry. It’s that kind of show in the best possible way. ” (For another engaging series about struggling athletes, from the same creative team, try the football-oriented “ Last Chance U. ”) A bold hybrid of science-fiction, criminal procedural and domestic melodrama, the German-language series “Dark” stretches across multiple timelines — from the 1920s to the 2050s — to tell the story of how four small-town families are connected to a wave of missing-children cases. The plot is full of stunning twists, though “Dark” is more quietly contemplative than thrilling. Our critic wrote that the show “ seems to have been constructed with the aid of spreadsheets, but there’s no denying its ingenuity. ” (The lush, romantic adventure series “ Outlander ” features a similar mix of earnest drama and time-travel. ) The Japanese company Sanrio — best known for that internationally beloved feline cutie Hello Kitty — is also responsible for creating the character Aggretsuko, a perpetually frustrated red panda. This colorful and relatable animated series follows the heroine as she tries to bring some heavy metal edge to the drudgery of her low-level office job. In a 2017 New York Times article about the Aggretsuko phenomenon, Amanda Hess wrote, “If Hello Kitty represents happy-go-lucky submission to globalization, Sanrio’s newer characters respond to the market with soul-crushing resignation or seething rage. ” (For more offbeat anime, try “ Haikyu!!, ” about the highs and lows of a high school volleyball team. ) Hip-hop gets the “American Idol” treatment in this reality competition series, where aspiring rappers try to impress the judges Cardi B, Chance the Rapper and T. I. The format is familiar, but the fine distinctions between what makes a good singer and a good rapper set “Rhythm + Flow” apart from the likes of “The Voice” and “The X Factor. ” It’s fascinating and even enlightening to hear the experts’ sometimes hilariously blunt assessments of everything including stage presence, personal branding and the quality of the contestants' samples. (For a more unusual reality competition, watch “ Blown Away, ” about the amazing work of glass-blowing artists. ) At once a sly parody and a genuinely exciting example of a TV cooking competition, “Nailed It! ” features unskilled amateur bakers trying to make eye-catching gourmet desserts. The pacing is brisk and the challenges are often ludicrous, but what makes this show so funny is that the drama and fanfare concerns some of the ghastliest culinary creations imaginable. Our critic wrote, “As host, the comedian Nicole Byer strikes the perfect balance between encouragement and ridicule, and the competitors’ self-aware humor ensures that the show never feels as if it’s taking cheap shots. ” (If you would rather see skilled home cooks whip up beautiful-looking sweets, watch the internationally beloved competition “ The Great British Baking Show. ”) This intense thriller was co-created by its lead actor, Lior Raz, who plays an Israeli Defense Force agent coming out of retirement to take down a terrorist he thought he had already killed. That one mission leads to unexpected complications and further side operations, in matter-of-fact stories that reflect the tricky politics and daily sacrifices of crimefighting in Israel. Our critic wrote that “Fauda” frames the real-world conflicts in the Middle East as “ entertaining, even gripping melodrama. ” (For another nail-biting take on real-world terrorism, try the British procedural “ Bodyguard. ”) In the true crime drama “Unbelievable, ” Toni Collette and Merritt Wever play Colorado police detectives who defy their bosses’ prejudices and piece together a pattern within seemingly unrelated rape cases. Kaitlyn Dever plays a teenager from nearby Washington, who is pressured by the authorities to recant her own report of being raped. The Oscar-nominated screenwriter Susannah Grant and the novelists Ayelet Waldman and Michael Chabon are on the series’s creative team, which uses these gripping, infuriating intertwined stories to shine a light on how gender biases affect the way sex-crimes are handled. Our critic called it, “ taut and engrossing, going on to note that “Its multiple denouements play out with a judicious mix of celebration and regret. ” (The offbeat procedural “ Criminal ” — dramatizing intense police interrogations in different countries — is another crime show for connoisseurs. ) A prequel to Jim Henson’s 1982 fantasy film “The Dark Crystal, ” this visually dazzling series is set on the planet Thra, where a greedy species known as the Skeksis are exploiting the world’s resources to dominate the other races. In keeping with Henson’s original vision, “Age of Resistance” relies heavily on puppetry as well as CGI, to tell a story about what happens when the symbiotic relationship between all living things gets thrown out of balance. In The Times’s behind-the-scenes look at the project, Nicholas Barber wrote, “The series has a whirling dynamism that was lacking in the static and sometimes ponderous film. ” (For more family-friendly fantasy, with courageous bunny rabbits instead of alien creatures, watch the animated adaptation of Richard Adams’s “ Watership Down. ”) The Northern Irish playwright Lisa McGee pulls some bawdy coming-of-age comedy out of her own experience of growing up in Londonderry in the early ’90s, during a time of intense sectarian violence between Catholics and Protestants. A cast of very funny young women bring zany energy to McGee’s rapid-fire dialogue and fast-paced stories, which are more about typical teenage high jinks than about bombings and riots. Our critic said the show “ revels in the humor of specificity, the kind of exacting precision that somehow winds up feeling universal. ” (For another lively take on unconventional women, stream the medical melodrama “ Call the Midwife, ” set in ’50s and ’60s London. ) The first season of the retro science-fiction series “Stranger Things” arrived with little hype and quickly became a word-of-mouth sensation: Viewers were enchanted by its pastiche of John Carpenter, Steven Spielberg, Stephen King and John Hughes — all scored to ’80s pop. This story of geeky Indiana teenagers fighting off an invasion of extra-dimensional creatures from “the Upside-Down” has the look and feel of a big summer blockbuster from 30 years ago — “a tasty trip back to that decade and the art of eeriness, ” our critic noted, but “without excess. ” (If you prefer ’90s teen nostalgia, try “ Everything Sucks. ”) As a producer and director, Ava DuVernay has tackled the Civil Rights Movement, in her Oscar-nominated film “Selma, ” and racial bias in the American criminal justice system, in her Emmy-winning documentary “13TH. ” Now, in her four-part mini-series “When They See Us, ” she dramatizes the story of the Central Park Five, who were convicted of raping and almost killing a jogger in New York City in 1989, then exonerated in 2002. Salamishah Tillet wrote in The Times that the Five “emerge as the heroes of their own story — and if we pay heed to the series’s urgent message about criminal justice reform, ours too. ” (For a fictional but poignant crime story that confronts issues of race in America, stream “ Seven Seconds. ”) This lacerating social satire loosely adapts the 2014 film by Justin Simien about a group of African-American students managing microaggressions and intraracial infighting at a mostly white Ivy League university. Our critic wrote that “Dear White People” “keeps the movie’s essence but recognizes that TV is not just the movies with smaller screens and longer run times. ” Simien’s show addresses modern collegiate controversies, using character-driven, episodic storytelling and a sharp sense of humor. (For another look at contemporary black culture, watch Spike Lee’s “ She's Gotta Have It. ”) The former “Saturday Night Live” and “Detroiters” writer and performer Tim Robinson created (with Zach Kanin) this fast-paced and funny sketch series, which is steeped in the comedy of obnoxiousness. Nearly every segment is about how people react when someone in their immediate vicinity behaves rudely or strangely — an astute depiction of how social mores sometimes fail us. More than anything, though, this show is just hilarious: “Netflix’s first great sketch comedy, ” Jason Zinoman writes for The Times. (For more twisted humor from a comedian with a strong personality, watch “ Lady Dynamite. ”) The former “Saturday Night Live” writers and performers Seth Meyers, Fred Armisen and Bill Hader are part of the core creative team for this esoteric comedy series, which parodies documentaries. But “Documentary Now! ” isn’t intended to mock movies like “The Thin Blue Line” and “Original Cast Album: Company. ” The show is made by super fans, who can imitate these films’ characters and quote every line while also understanding what makes them special. “Humor, ” our critic wrote, “comes from satirizing the subjects of the documentaries, not the films themselves. ” (One of the documentaries spoofed by the show, “ Wild Wild Country, ” is a Netflix series. ) True-crime aficionados know all about “The Staircase, ” a suspenseful documentary mini-series that follows the shocking trial of the crime novelist Michael Peterson, accused of murdering his wife. When the show first aired in the United States, our critic wrote, “As a study of the evolution of a criminal defense, ‘The Staircase’ is a masterpiece. ” Twice since then, the documentarian Jean-Xavier de Lestrade has returned to the case, appending new chapters to a project that has been partly responsible for the current mania for pulpy books, documentaries and podcasts about violent crime. (Netflix offers several such true-crime documentaries, including “ Making a Murderer. ”) Similar to the director David Fincher’s movie “Zodiac, ” his Netflix series “Mindhunter” (created with the playwright Joe Penhall for Season 1) is a more sophisticated, less sensationalistic kind of crime story than the typical blood-spattered procedural. Jonathan Groff, Holt McCallany and Anna Torv play F. B. agents who in the late ’70s become fascinated with the idea that killers can be tracked with psychological profiling. The series puts an emphasis on the microscopic details of police work, conveying a sense of how the culture and the times affect the job — “more interested in the process of getting inside skulls, ” our critic wrote, “than the process of removing them. ” (Fans of historical crime stories should also stream “ Narcos. ”) Ryan Murphy and Brad Falchuk, who created “Glee” and “American Horror Story, ” bring dramatic verve to real-life celebrity murder stories in this anthology crime series, working with a team of talented collaborators. Season 1, “The People v. O. J. Simpson, ” and Season 2, “The Assassination of Gianni Versace, ” both feature unconventional narrative structures and star-studded casts; and offer fresh insight into well-known crimes. About “The People v. Simpson, ” our critic wrote, “Its triumph is to take a case that divided the nation into teams and treat everyone, vulture or victim, with curiosity and empathy. ” (For a more down-to-earth take on American crime, watch the equally superb “ American Crime. ”) Set amid the New York City “drag ball” scene of the late ’80s and early ’90s, the exuberant drama “Pose” is groundbreaking for the way it employs a large cast of transgender women playing transgender women. The series deals with serious issues — including the devastation of AIDS and the way the city’s economic boom of the ’80s bypassed the marginalized — but it is surprisingly optimistic, emphasizing the community fostered by these underground fashion and dance competitions (hosted by the acid-tongued Pray Tell, played by Billy Porter). Our critic wrote that “Pose” “stands, bold and plumed, and demands attention. ” (For a perspective on the mainstreaming of L. G. T. Q. culture since the 1990s, watch the makeover show “ Queer Eye. ”) By the time this sweeping historical drama is done, the writer-producer Peter Morgan intends to have spent 50 episodes covering Queen Elizabeth II’s reign, from coronation to now. Claire Foy plays the Queen for the first two seasons, which take place from the late 1940s through the mid-60s. Olivia Colman takes over in Season 3, which begins in 1964 and moves the story into England’s psychedelic and punk eras. The A-list cast and the lavish production are the primary selling points of “The Crown, ” which our critic called, “an orgy of sumptuous scenes and rich performances. ” (If you like British history but aren’t interested in royalty try “ Peaky Blinders, ” about the criminal underworld after World War I. ) The most obvious point of comparison for this oddball science-fiction dramedy is the movie “Groundhog Day, ” since “Russian Doll” is also about a character who must relive the same day, over and over. Here, the trapped person is a sad-sack software engineer named Nadia (played by Natasha Lyonne, who also created the show with Leslye Headland and Amy Poehler); on the night of her 36th birthday, Nadia keeps dying and rebooting — like a video game character. Our critic wrote, “This is a show with a big heart, but a nicotine-stained heart that’s been dropped in the gutter and kicked around a few times. ” (For more mind-bending TV, Netflix is also streaming the first two seasons of “ Twin Peaks. ”) Easily the most upbeat sitcom ever made about a woman who escaped from an oppressively patriarchal religious cult, “Unbreakable Kimmy Schmidt” stars Ellie Kemper as Kimmy, who somehow keeps her youthful enthusiasm when she arrives in New York City after 15 years imprisoned in a bunker. A stellar supporting cast — including Tituss Burgess as Kimmy’s perpetually jobless roommate, Carol Kane as her activist landlord and Jane Krakowski as her overprivileged boss — brings range to this show’s unusually sunny, zingy vision of 2010s New York. Our critic wrote, “The series leavens wacky absurdity with acid wit and is very funny. ” (The “Kimmy” creators, Tina Fey and Robert Carlock, also produced the equally hilarious but under-seen sitcom “ Great News. ”) It’s hard to explain “BoJack Horseman” to the uninitiated. It’s a showbiz satire about a self-absorbed former TV star trying to mount a comeback. It’s an existential melodrama about the fear of fading relevancy. Oh, and it’s a cartoon in which that former star is an alcoholic horse. Our critic wrote, “The absurdist comedy and hallucinatory visuals match the series’s take on Hollywood as a reality-distortion field. But the series never takes an attitude of easy superiority to its showbiz characters. ” (One of the “BoJack” production designers, the cartoonist Lisa Hanawalt, also created the wonderful Netflix animated series “ Tuca & Bertie. ”) Based on a series of British graphic novels about an introverted preteen nature lover, the animated series “Hilda” sets the writer-illustrator Luke Pearson’s soft, rounded character designs against backdrops that are unusually muted and pretty for a kids’ cartoon. Bella Ramsey (who played Lyanna Mormont in “Game of Thrones”) voices the blue-haired Scandinavian title heroine, who has a habit of finding fantastical creatures and is sometimes the only human who can reason with them. Our critic wrote, “If you like plucky and articulate heroines, sepia-seeped aesthetics and folklore, try this. ” (For another beautifully illustrated and emotionally satisfying kids show, stream “ My Little Pony: Friendship Is Magic. ”) The Minnesota-based prop comic Joel Hodgson wasn’t the first entertainer to make fun of old B-movies on television, but this “elaborately high concept” series, as The Times called it in 1992, refined and elevated the gag. The show’s clever framing device — a person trapped in space with his robot pals is tormented by mad scientists with “cheesy movies” — makes “Mystery” breathlessly funny, even when the crummy films don’t generate much comic material. (For more of the do-it-yourself kiddie aesthetic, watch the arty ’80s children’s show “ Pee-wee's Playhouse. ”) TV’s most deliriously imaginative superhero series, “Legends of Tomorrow” is about an eclectic team of B-list DC Comics heroes who travel through time, trying to fix historical anomalies. Season 1 is overly serious, but by Season 2, the writers and cast begin to embrace their show’s inherent goofiness. By Seasons 3 and 4, scarcely an episode goes by without some kind of psychic gorilla, giant talking teddy bear, flesh-eating unicorn or summer-camp swamp monster. (If you prefer grim and gritty comics, stream “ Jessica Jones. ”) The acclaimed horror filmmaker Mike Flanagan (“Oculus, ” “Hush”) adapted the 1959 novel by Shirley Jackson for Season 1 of what is planned to be a series of literary ghost-story interpretations. Carla Gugino, Elizabeth Reaser, Kate Siegel and Henry Thomas play members of a family who grew up on a lavish estate, occupied by the ghosts of the people who died there. As adults, the surviving siblings commiserate about how their lives have been affected by their strange upbringing. What results, writes Jason Zinoman for The Times, is “an intelligent, engaging supernatural story in which the tension doesn’t mount so much as stop and start, and occasionally sputter. ” (For more smart gothic horror, stream “ Penny Dreadful. ”) Created by Charlie Brooker, the science-fiction anthology series “Black Mirror” is like a 21st century version of “The Twilight Zone, ” with stories drawn from our modern technophobic anxieties. The episodes are slyly plotted and openly cautionary, challenging the audience to ponder, for example, how artificial intelligence, social media and computer-generated images are warping our perceptions. Our critic calls it, “hands down the most relevant program of our time. ” (The original version of “ The Twilight Zone ” is also available to stream on Netflix. ) This “Star Trek” sequel series — created by Gene Roddenberry, the same writer and producer as the original — had the advantage of arriving two decades after the first wave of Trek fandom. Having seen how their audience responded to smart science-fiction stories, leavened by the interplay between charismatic, sympathetic characters, Roddenberry’s writers and cast approached “The Next Generation” with a sense of purpose. When the new show debuted, our critic wrote, “On this initial voyage, the Enterprise and its new crew simply fail to take flight. ” But the creators’ commitment began to pay off around the second season when the episodes become more ambitious and sophisticated. (The original “ Star Trek ” is also on Netflix. ) The documentarian Ken Burns and his collaborator Lynn Novick have spent much of their career telling the story of America’s major wars. Their masterpiece may be the 10-part, 18-hour documentary series “The Vietnam War, ” which our critic called “probably Mr. Burns’s saddest film. ” For a conflict that has figured so prominently into popular culture, the Vietnam War has remained largely misunderstood, even by those who lived through it. Burns and Novick dig up the roots, connecting the current state of geopolitics to old mistakes. (Burns’s breakthrough documentary series “ The Civil War ” is also on Netflix, as are a lot of his and Novick’s other films. ) The British sketch comedy troupe Monty Python combined the cheekiness of old English music hall comics with the surrealism and self-awareness of the psychedelic era. Their series, “Monty Python’s Flying Circus, ” ran for four seasons from 1969-74 and was syndicated around the world, popularizing an absurdist approach to humor — and to life — that has inspired countless sketch comedians. Although the original show is 50 years old now, it “ hasn’t aged a bit. ” (The “Mr. Show” creators, Bob Odenkirk and David Cross, were clearly inspired by Monty Python, as evidenced by their Netflix series “ w/Bob & David. ”) It’s difficult to describe this fantastical metaphysical sitcom without spoiling its surprises. It’s ostensibly about a selfish young woman named Eleanor (Kristen Bell), who with a handful of other iffy humans lands in a cockeyed version of the afterlife, managed by the cheerful kook Michael (Ted Danson) and his humanoid supercomputer Janet (D’Arcy Carden). The creator Michael Schur keeps viewers guessing; but even without the crazy plot-twists, the show provides food for thought. Our critic wrote, “Schur seems to have found a deeper idea behind the show’s premise: Is acting good the same as being good? ” (Schur is also one of the creators of the feel-good sitcom “ Parks and Recreation. ”) Next to “The Sopranos, ” “Mad Men” might be the most influential TV drama of the early 21st century. A visually stylish, overtly literary antihero saga — about a womanizing, alcoholic advertising executive (played by Jon Hamm) in the 1960s — “Mad Men” has been structured by its creator, Matthew Weiner, into something like a series of poignant short stories, collectively adding up to a larger commentary about social and personal change. Our critic wrote that it “serves as a bridge to a faded and now forbidden world. ” (For another journey into a very different past, watch the Spanish drama “ Cable Girls, ” set at a 1920s telecommunications company. ) “Breaking Bad” didn’t draw much notice when it debuted, but by the time it ended, the show was widely acknowledged as one of TV’s best dramas — ever. In 2008, our critic wrote “The series has a slight vein of black humor, but it is very, very dark: ‘Thelma & Louise’ as seen by Dostoyevsky. ” The creator Vince Gilligan continued to underscore the absurdity and tragedy in this intense, unpredictable saga about a chemistry teacher turned meth cook (as played by Bryan Cranston). The result is a gripping crime story and a powerful statement about greed. (Gilligan and his collaborator Peter Gould explore similar themes in the prequel series “ Better Call Saul. ”) This thoughtful drama depicts the early years of the digital age, starting in the mid-80s, when personal computers and the internet became an integral part of our everyday lives. “Halt and Catch Fire” empathizes more than glamorizes, following the punishing step-by-step of four visionary engineers and programmers — sometimes partners, sometimes rivals — as they try (and often fail) to get their projects funded and shipped: “Failure, ” our critic wrote, “from this show’s perspective, is not the end; it’s how people level up. ” (For a different take on techies, stream the British sitcom “ The IT Crowd. ”) Based on Piper Kerman’s memoir about serving time in a minimum security women’s prison, “Orange Is the New Black” showcases an eclectic cast, representing a wide spectrum of social classes and sexual orientations in alternately comic and poignant stories about crime, passion and privilege. The show was created by Jenji Kohan, who, as our critic wrote, “plays with our expectations by taking milieus usually associated with violence and heavy drama — drug dealing, prison life — and making them the subjects of lightly satirical dramedy. ” (Kohan previously did the same with her series “ Weeds. ”) Netflix has become a haven for adult-oriented animated series, written and voiced by comedians who know that sometimes raunchy jokes are even funnier when delivered by cartoons. Nick Kroll, John Mulaney, Jenny Slate and Jessi Klein are among the comics involved in “Big Mouth, ” which follows a group of junior high schoolers who are tormented day and night by monsters who embody their uncontrollable adolescent impulses. Our critic calls it “more sweet and insightful than its hormone-drenched premise might lead you to believe. ” (Also funny and frank: the comedian Bill Burr’s animated “ F Is for Family. ”) There are plenty of snappy teen dramas and sitcoms set among the comfortably middle class and the fabulously wealthy. In “On the Block, ” all that adolescent angst, romance and camaraderie has been transplanted to South Central Los Angeles, among underprivileged African-American and Hispanic high schoolers. Lauren Iungerich, who created the darkly comic MTV series “Awkward, ” worked alongside co-creators Eddie Gonzalez and Jeremy Haft on “On My Block, ” which our critic said has Iungerich's “off-center charm and quirky comic rhythms. ” (For a highly entertaining show about some of those fabulously wealthy kids, check out “ Gossip Girl. ”) This reimagining of the producer Norman Lear’s long-running 1970s and ’80s sitcom is true to the spirit of Lear’s socially conscious kind of television. The new series’s working-class Cuban-American family has feisty — and funny — discussions around their Los Angeles apartment about ethnicity, politics, religion, work-life balance and gender. The live-audience sitcom format allows the actors to carry on conversations at length, like in live theater. The show “radiates delight, ” our critic wrote. Netflix canceled the show in 2019, but Pop revived it and will present a new season in March 2020. (For a different but very funny take on the struggles of working-class life, watch another Pop series, “ Schitt’s Creek, ” which tracks a rich Canadian family that loses their fortune. ) This spoof of the Latin American soap operas known as telenovelas also wholeheartedly embraces their shtick. “Jane the Virgin” starts out as the story of an aspiring writer, accidentally impregnated through an artificial insemination mix-up. The show then gets wilder, with at least one crazy plot twist per episode — all described with breathless excitement by an omnipresent, self-aware narrator. Our critic called it “delicious and dizzyingly arch. ” (For another colorful, conceptually daring look at working class folks with artistic aspirations, stream “ The Get Down. ”) The musical-theater loving comic actress Rachel Bloom was a creator of and stars in this colorful dramedy, playing Rebecca Bunch, a depressed lawyer who gives up a promising career to move to the hometown of a man she briefly dated as a teenager. With its catchy songs and its frank conversations about mental health, “Crazy Ex-Girlfriend” has an expressive, openhearted style, rooted in the creators’ compassion for flawed people. Our critic wrote, “The series is committed to the idea that every character can carry a story line, any person can be more than they appear. ” (For another creative and tuneful take on the TV musical, stream “ Galavant. ”) The clunky ’80s syndicated cartoon “She-Ra: Princess of Power” gets a relevant reboot, fusing the original’s old-fashioned science-fiction and fantasy mythology with the cultural diversity and emotional richness of a modern animated series. The series’s prodigious young creator, Noelle Stevenson, puts a teeming cast of complicated heroes and villains into stories with an epic sweep. Our critic wrote, “The show takes a little while to get going, but once the rules of the world are set, things pick up substantially. ” (Also highly recommended for youngsters who like animation and fantasy: “ The Dragon Prince. ”) The ideal ensemble sitcom, “Cheers” is set in a Boston bar that attracts a cross-section of society — from blue collar to blue blood. Early seasons cover the on-and-off romance of the former Red Sox pitcher Sam Malone (Ted Danson) and the brainy Diane Chambers (Shelley Long). Later, the show becomes more about the ups and downs of the bar itself and its lovable group of regulars. As Bill Carter put it for The Times, “What the show’s creators aimed to do was deliver pure comedy that was sophisticated but not pretentious, ‘I Love Lucy’ as told by Noël Coward. ” (For more of the “Friends” hangout spirit, try the delightful “ New Girl. ”) With “Gilmore Girls, ” the writer-producer Amy Sherman-Palladino and her husband and collaborator, Daniel Palladino, supercharged the family drama, adding rapid-fire repartee to a story of a willful single mom raising her brilliant daughter in the eccentric New England town of Stars Hollow. Our critic wrote, “Like Lake Wobegon or Mayberry, Stars Hollow is a wish in the shape of a town, an idyll where everything is low stakes. ” (For another breezy dramedy set in a picturesque locale, stream “ Royal Pains. ”) In the final years of the Clinton Administration and the early years of George W. Bush’s, the writer-producer Aaron Sorkin offered a vision of presidential politics that appealed to viewers on the left and the right. “The West Wing” is driven less by divisive issues than by the personalities of an idealistic president (played by Martin Sheen) and his hard-working staffers, who collectively try to figure out the best ways to manage Washington bureaucracy and media hype. In 1999, our critic complained that the pilot episode was “sometimes smart, sometimes stupid, eventually gooey and, despite its sharp cast, not often entertaining. ” And then “The West Wing” went on to win 26 Emmys. (For more Emmy-winning drama, watch the Netflix original “ Ozark, ” about white collar money-laundering in Missouri. ) Watch.

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I knew I wasn't crazy thinking Roy looked like Patrick Swayze. I had no idea he even had a brother.
Watched the first 6 episodes of the return made me go back and watch the original seasons again it's a lot better than I remember in my teens Great tv show can't wait for episode 7.

This is crazy interesting! 🤯. The fake suicide is similar to Veronica Sawyer's from Heathers which is also from the 80s. True Fiction Watch. Hello How do you spell the millionaires last name i am working a murder case of my own from the same period. Part 2 will be named. Lie Non Fiction. True Fiction Watch streaming.

Its Schofield not Schoenfield. Ok how could you NOT talk about the fact that The Night Stalker has a foot fetish and that he wanted to bang Margaret. Trevor dies Sue Sylvester 💃 (only those who watched Glee will understand. I also have wondered if the Christopher Cross song Think of Laura from the early 80s was why they chose her name, it's obviously about the death of a young woman. Need more unsolved. The rest of buzzfeed is boring Pauper's content.

True fiction watch streaming. This is a juicy peach, and I've got juice running down my chin Yeah, that's what Owen said! 😁. after Don said check this, Ain't that a peach. True Fiction Watch stream. That hippie guy that kept dying and reappearing threw me off. I was like wth.

Leslie tweeted that the glasses rest on her ear nub lmao. True Fiction Watch stream new. I wonder if Wes Craven was inspired by Albert Fish as well.

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What if the name don was actually dawn the female voice and fingerprint. he could have had familial ties with the woman, and the man could have been her husband or partner (in love and crime) Or, the woman who wanted to see Artemis was the fiancee and her brother killed ogletree on accident. The arguing was about the murder, and how they hadnt wanted it to happen. I look foward to you guy breaking down AHS every season, what do you think about a possible timeloop with the hiker for some reason I was getting some heavy dark city vibes. On any single individual people🙄 not even the first. The editor needs to pay attention. True Fiction Watch stream new albums.

 

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