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Drama; Writer Keiko Nobumoto; ; liked It 28074 votes; year 2003; On Christmas Eve, three homeless people living on the streets of Tokyo find a newborn baby among the trash and set out to find its parents. Download free t c3 b4ky c3 b4 goddof c3 a2z c3 a2zu new. Pages displayed by permission of Intellect Books.  Copyright. I will admit right at the start, I'm not a big fan of subtitled anime. I always prefer to watch with an English dub track, unless the dub is really bad. I prefer to watch what is happening on the screen rather than having to constantly flick between the picture and the words.
For this reason, I put off watching Tokyo Godfathers for a long time. I had seen Satoshi Kon's other releases. I found Perfect Blue very uncomfortable to watch. Millennium Actress used clever storytelling but I felt a bit too distant from the story itself (I suspect this was because there were a lot of Japanese cultural and historical references in it. Then I found Paranoia Agent and thought it was excellent (despite the strange ending. In the end I bit the bullet and watched Tokyo Godfathers and wished I hadn't put it off for so long.
The story may be a little unconventional, both for anime films and also Christmas films, but Kon makes it work. This film will certainly go on my "must watch at Christmas" list, along with Nightmare Before Christmas (another unconventional animated Christmas film.
Some reviewers have criticised the number of coincidences that occur in the story, but personally I feel that the viewer can interpret this however they want to. If you believe in a higher power you can take the numerous references to 12-25 and the event that saves Hana as an indication that a higher power is pulling the strings. If you don't believe in such things, you can take it as serendipity or just a story with several happy endings.
The film itself is a little different from Kon's other works. It doesn't try to blur the line between fantasy and reality (except for one short dream sequence. Despite the subject matter (three homeless people) it's actually a pretty happy film on the whole, with only a couple of slightly unpleasant scenes. It'll make you laugh, it'll make you cry, it'll make you go "awww.
I do still hope that one day this film will be re-released with an English dub track. But even with subtitles the dialogue moves slow enough that you can take in the film and the subtitles without feeling you're having to rush your reading or that you're missing some beautiful visuals.
I am now eagerly awaiting seeing Kon's next film - Paprika.

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Tokyo Godfathers Theatrical release poster Directed by Satoshi Kon Produced by Shinichi Kobayashi Masao Takiyama Taro Maki Screenplay by Keiko Nobumoto Satoshi Kon Story by Satoshi Kon Starring Tōru Emori Yoshiaki Umegaki Aya Okamoto Music by Keiichi Suzuki Moonriders Cinematography Katsutoshi Sugai Edited by Takeshi Seyama Kashiko Kimura Production company Madhouse Distributed by Sony Pictures Entertainment Japan Release date August 30, 2003 ( Big Apple Anime Fest) November 8, 2003 (Japan) Running time 92 minutes Country Japan Language Japanese Budget $2. 4 million [1] Box office $609, 525 [2] Tokyo Godfathers ( 東京ゴッドファーザーズ, Tōkyō Goddofāzāzu) is a 2003 Japanese anime film directed by Satoshi Kon loosely based on Peter B. Kyne 's novel Three Godfathers. [3] Tokyo Godfathers was the third animated film directed by Kon and the second which he both wrote and directed. Keiko Nobumoto, noted for being the creator of the Wolf's Rain series and a head scriptwriter for Cowboy Bebop, co-wrote the script with Kon. Tokyo Godfathers received an Excellence Prize at the 2003 Japan Media Arts Festival. [4] It also won Best Animation Film at the 58th Mainichi Film Awards. [ citation needed] Plot [ edit] One Christmas Eve, three homeless people – a middle-aged alcoholic named Gin, a former drag queen named Hana, and a dependent runaway girl named Miyuki – discover an abandoned newborn while searching through the garbage. Deposited with the unnamed baby is a note asking the finder to take good care of her and a bag containing clues to the parents' identity. The trio sets out to find the baby's parents. The baby is named Kiyoko ( 清子), based on the Japanese translation of Silent Night literally meaning "pure child", as she is found on Christmas Eve. Outside a cemetery, the group encounters a high-ranking yakuza trapped under his car. The man happens to know the owner of the club where Kiyoko's mother used to work; his daughter is to marry the club owner that day. At the wedding, the groom tells them that the baby's mother is a former bar girl named Sachiko. He gives them Sachiko's address, but the party is interrupted when a maid, revealed to be a Latin American hitman in disguise, attempts to shoot the bride's father. The hitman kidnaps Miyuki and the baby and takes them back to his home. There, Miyuki befriends the hitman's wife and shows her some pictures of her family. Hana searches for Miyuki and Kiyoko while Gin takes care of an old homeless man who is dying in the street. After giving Gin a little red bag, the old man peacefully passes away. Some teenagers show up and beat up Gin and the dead old man. Meanwhile, Hana finds the girls and they go off to find a place to stay. They go to Hana's former club. Gin, who was rescued by another member of the club, is also there. The trio sets out to find Sachiko's house, but they discover that it has been torn down. They are informed of the unhappy relationship between Sachiko and her husband, who is a gambling alcoholic. The group rests at a store until they are told to leave by the clerk. Hana collapses, and is taken by Gin and Miyuki to the hospital. Once at the hospital, Gin finds his daughter, who is also named Kiyoko, working as a nurse. Hana berates Gin in front of his daughter and storms out of the hospital, with Miyuki following behind with baby Kiyoko in hand. Hana and Miyuki find Sachiko about to jump off a bridge. Sachiko insists that her husband got rid of the baby without her knowledge, and that they return the baby to her. Meanwhile, Gin finds Sachiko's husband, who confirms a TV report Gin saw earlier that Kiyoko was actually stolen by Sachiko from the hospital. They chase after Sachiko and the baby. After an intense car chase, Miyuki chases Sachiko to the top of a building. Sachiko reveals she became pregnant in hopes it would bring her closer to her husband. When her baby was stillborn, she decided to kidnap Kiyoko from the hospital, thinking, in her grief, the baby was hers. As Sachiko is about to jump off the building, her husband comes out of his apartment, located just across the street, and begs her to start over with him. Sachiko jumps off nevertheless, but Miyuki manages to catch her before she falls, but then Sachiko accidentally drops Kiyoko. Hana jumps off the building after Kiyoko, catches the baby, and lands safely due to a miraculous gust of wind. Hana, Miyuki, and Gin are taken to the hospital. Miyuki hands Gin his cigarettes and drops the old man's small red bag on the floor, revealing a winning lottery ticket. Kiyoko's real parents want to ask the trio to become her godparents. When a police inspector introduces them to the trio, the inspector is revealed to be Miyuki's father. Cast [ edit] Tōru Emori (Japanese) and Jon Avner (English) [5] [a] as Gin ( ギン); a gambling addict and former bicycle shop owner who claims to have been a bicycle racer. He ran away from his family when his debts became too great. His daughter, a nurse, shares the name of the newfound baby Kiyoko. Yoshiaki Umegaki (Japanese) and Shakina Nayfack (English) [5] [a] as Hana ( ハナ); a former drag queen who became homeless following the death of a former boyfriend. Hana was also an abandoned child, and is the most sympathetic to Kiyoko's plight and is the one who gives the baby her name. Aya Okamoto (Japanese) and Victoria Grace (English) [5] [a] as Miyuki ( ミユキ); a runaway high school student who fled home following a violent argument with her father. Shōzō Iizuka (Japanese) and Jamieson Price (English) [5] as Ōta ( 太田); a yakuza boss who the main characters save from being crushed by his car. In gratitude, he invites them to his daughter's wedding reception. Seizō Katō (Japanese) and Kate Bornstein (English) [5] as Mother ( 母さん, Kaa-san); the proprietor of the gay bar Hana was formerly employed in. Hiroya Ishimaru (Japanese) and Kirk Thornton (English) [5] as Yasuo ( 泰男); Sachiko's husband and the one who left Kiyoko at the garbage dump. Ryūji Saikachi (Japanese) and David Manis (English) [5] as an old homeless man who is discovered by Gin. He entrusts Gin with the disposal of a small red bag before passing away. Yūsaku Yara (Japanese) and Crispin Freeman (English) [5] as Miyuki's father; a policeman in charge of searching for the missing baby Kiyoko, who was separated from her family. Kyōko Terase as Sachiko ( 幸子); a woman who claims to be Kiyoko's mother. Mamiko Noto as Gin's daughter; a nurse who is also named Kiyoko. Satomi Kōrogi as the daughter of the yakuza boss Ōta, who is also named Kiyoko. Akio Ōtsuka as a doctor engaged to Gin's daughter Kiyoko. Rikiya Koyama as Arao ( 新郎); Ōta's son-in-law who was collecting debt from Gin. Inuko Inuyama as Kurumizawa ( 胡桃沢); a resident of Sachiko's former neighborhood. Kanako Yahara as Yamanōchi ( 山之内) Rie Shibata as Nekobaba ( 猫ババ) Kōichi Yamadera as Taxi driver Additional voices (Japanese): Nobuyuki Furuta, Masao Harada, Bin Horikawa, Kazuaki Itō, Eriko Kawasaki, Akiko Kawase, Yuto Kazama, Tsuguo Mogami, Mitsuru Ogata, Chiyako Shibahara, Toshitaka Shimizu, Yoshinori Sonobe, Akiko Takeguchi, Hidenari Umezu, Atsuko Yuya Themes [ edit] The film puts an emphasis on the theme of "coincidences". Movie critic George Peluranee notes that "Tokyo Godfathers is a film that shows the small yet significant ties that each of us have with supposed strangers, and tells well the story of miracles, family, love, and forgiveness. " [ citation needed] Susan Napier points out that Tokyo Godfathers is part of a trend in anime and manga as depicting families in an increasingly dark fashion, showcasing the problems with traditional families, and attempts by people to construct a "pseudo-family" out of an increasingly fragmented and isolating modern Japanese society. [7] It is put forth that despite the seeming criticisms of traditional families throughout the film, it ends with a more conservative feeling as everyone returns to their traditional/original families. Despite its seemingly traditional ending, the film offers a more radical version of family. Throughout the story these three homeless vagabonds unknowingly form a "pseudo-family" to protect themselves from the outside world and to overcome their personal demons. [7] Release [ edit] This movie was released in North America by Sony Pictures on December 29, 2003 in an unsuccessful attempt to get an Academy Award nomination for Best Animated Feature. [8] The movie was released on sub-only DVD on April 13, 2004, [9] and they've planned to use DTS for the DVD, but was ultimately scrapped. [10] Announced on December 19, 2019, international animation licensor, GKIDS, will release the movie on March 9, 2020 with a brand new 4K restoration and a new English dub. [11] Reception [ edit] The review aggregation website Rotten Tomatoes reported that 90% of critics have given the film a positive review based on 68 reviews, with an average rating of 7. 07/10. The critics consensus states, "Beautiful and substantive, Tokyo Godfathers adds a moving – and somewhat unconventional – entry to the animated Christmas canon. " [12] On Metacritic, the film has a weighted average score of 73 out of 100 based on 25 critics, indicating "generally favorable reviews". [13] Notes [ edit] ^ a b c In the Animax Asia release of the film, Gin is voiced by Darren Pleavin, Hana by Russel Wait, and Miyuki by Candice Moore. [6] See also [ edit] Homelessness in Japan Japanese films of 2003 References [ edit] ^ "Interview Satoshi Kon" (in French). Catsuka. October 18, 2006. Retrieved December 20, 2015. ^ "Tokyo Godfathers (2004) - Financial Information". The Numbers. Retrieved December 6, 2014. ^ Hunt, Leon (2010). Tauris World Cinema: East Asian Cinemas: Exploring Transnational Connections on Film. I. B Tauris. p. 122. ISBN   9781845116149. ^ "Excellence Award - TOKYO GOD FATHERS | Award | Animation Division | 2003 [7th] | Japan Media Arts Festival Archive". ^ a b c d e f g h Sherman, Jennifer (February 13, 2020). "GKIDS Announces New English Dub Cast for Satoshi Kon's Tokyo Godfathers Film". Anime News Network. Retrieved February 13, 2020. ^ "Tokyo Godfathers". Behind The Voice Actors. Retrieved 2019-09-21. ^ a b Napier, Susan (2008). "From Spiritual Fathers to Godfathers". In Akiko Hashimoto; John W. Traphagan (eds. ). Imagined Families, Lived Families. New York: SUNY Press. pp. 33–49. ISBN   978-0-7914-7578-2. ^ Macdonald, Christopher (October 30, 2003). "Tokyo Godfathers theatrical release". Retrieved December 19, 2019. ^ "Tokyo Godfathers on DVD April 13th". February 23, 2004. Retrieved December 19, 2019. ^ Macdonald, Christopher (February 3, 2004). "Tokyo Godfathers DVD Release". Retrieved December 19, 2019. ^ @GKIDSfilms (December 19, 2019). "GKIDS is proud to announce the acquisition of the North American theatrical & home video rights to TOKYO GODFATHERS from Satoshi Kon" (Tweet) – via Twitter. ^ "Tokyo Godfathers (2003)". Rotten Tomatoes. Fandango. Retrieved December 20, 2019. ^ "Tokyo Godfathers Reviews". Metacritic. CBS Interactive. Retrieved December 20, 2019. External links [ edit] Tokyo Godfathers (film) at Anime News Network 's encyclopedia Tokyo Godfathers on IMDb Tokyo Godfathers at Box Office Mojo Tokyo Godfathers at AllMovie "東京ゴッドファーザーズ ( Tōkyō Goddofāzāzu)" (in Japanese). Japanese Movie Database. Retrieved 2007-07-21.

Weee Selowww 2019 INDONESIA SKA SKA SKA. Download free t c3 b4ky c3 b4 goddof c3 a2z c3 a2zu test. Download Free Tôkyô goddofÃzÃzu unserem. Every Christmas I keep saying that Tokyo Godfathers should be shown every year. Still I havent ever met more than like two people who have seen it. Well find it eventually. Finland is always few trailing the world few decades when it comes to. good things. I've seen this movie, and it's an odd mix of incredibly tender, well written, subtle human relationships and some out of place surrealist scenes that don't contribute much to the plot or discourse - not all of the preternatural elements, just some. Her relationship with her sister is riveting, the animation is lovely, the unpatronising script writing is fantastic - but I was left with this feeling of inconclusiveness, and wondered why I watched it. Worth a one time watch, certainly, for the sake of a very novel premise and the moments when it does shine.

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[1] Handlung [ Bearbeiten | Quelltext bearbeiten] Der Alkoholiker Gin, die ehemalige Drag Queen Hana und die Ausreißerin Miyuki leben auf den Straßen Tokyos und davon, was der Müll des Nobelbezirks Shinjuku hergibt. An Heiligabend finden sie auf einer dieser Streiftouren hinter Müllsäcken ein ausgesetztes Mädchen im Säuglingsalter. Sie machen sich auf die Suche nach den Eltern, in deren Verlauf sie immer wieder mit ihrer eigenen Vergangenheit konfrontiert werden. Personen [ Bearbeiten | Quelltext bearbeiten] Miyuki Das Nesthäkchen der Gruppe riss von zu Hause aus, nachdem sie ihren Vater, einen Polizisten, im Streit mit einem Messer schwer verletzt hatte. Der Vater hat den Angriff zwar überlebt, doch aus Scham traut Miyuki sich nicht mehr nach Hause, obwohl sie mehrmals versucht, den Kontakt wiederherzustellen. Da ihr Vater aber der zuständige Beamte im Fall des vermissten Babys ist, begegnen sie sich gegen Ende des Filmes wieder. Hana Hana arbeitete und wohnte in einer Nachtbar. Nach einem Zwischenfall mit einem betrunkenen Gast entscheidet sie sich selbst für die Obdachlosigkeit. Auch hier war Scham der hauptsächliche Auslöser. Gin Gin lebte mit seiner Frau und seiner Tochter Kiyoko ein halbwegs normales Leben. Durch seine Alkohol- und Spielsucht gerät er aber immer weiter in die Schuldenfalle und flüchtet sich in die Obdachlosigkeit, um seiner Familie weiteren Ärger zu ersparen. Er trifft seine Tochter wieder, als Hana wegen eines Autounfalls in das Krankenhaus eingeliefert werden muss, in dem Kiyoko mittlerweile als Krankenschwester arbeitet. Produktion und Veröffentlichung [ Bearbeiten | Quelltext bearbeiten] Der Film wurde von 2001 bis 2003 [2] vom Studio Madhouse unter der Regie von Satoshi Kon produziert. Das Charakterdesign entwarfen Kenichi Konishi und Satoshi Kon, die künstlerische Leitung übernahm Nobutaka Ike und die Musik komponierte Keiichi Suzuki. Der Anime erschien in Japan 2003 bei Sony Pictures. Es folgten Übersetzungen unter anderem ins Englische, Französische, Spanische und Russische. Im Februar 2005 erschien der Film bei Columbia TriStar in Deutschland. Synchronisation [ Bearbeiten | Quelltext bearbeiten] Rolle Japanischer Sprecher ( Seiyū) Deutscher Sprecher Aya Okamoto Caroline Combrinck Yoshiaki Umegaki Kai Taschner Tōru Emori Walter von Hauff Auszeichnungen [ Bearbeiten | Quelltext bearbeiten] 23. Fujimoto-shō ( 藤本賞): Nachwuchspreis Tōkyō Kokusai Anime Fair 2004: Bester Film, Beste Regie (für Satoshi Kon) und Beste künstlerische Leitung (für Nobutaka Ike) 2004: 58. Mainichi Eiga Concours: Bester Animationsfilm 2004: Neuchâtel International Fantastic Film Festival: Publikumspreis Future Film Festival (Italien): Bester Film Bunka-chō Media Geijutsusai des Bildungsministeriums: Hervorragender Animationsfilm (eine Klasse unter dem Großen Preis) 2003: 36. Sitges Festival Internacional de Cinema de Catalunya (Spanien): Publikumspreis für den besten Animationsfilm 18. Digital Content Grand Prix: Preis des Wirtschaftsministers Rezeption [ Bearbeiten | Quelltext bearbeiten] Die Fachzeitschrift AnimaniA lobt die „detailverliebten und realistischen Hintergründe“ und den Charme des „bezaubernden Weihnachtsmärchens“. Die Animationen seien hervorragend, es dominieren warme und dunkle Farben. Die Handlung sei fesselnd und voller unwahrscheinlicher Wendungen, zeige dabei ein „realistisches Portrait eines Teilstücks des japanischen Alltags“. Die „poppigen und beschwingten Orchesterklänge“ des Soundtracks passten sich den jeweiligen Szenen gut an. Die deutsche Synchronisation sei handwerklich solide, jedoch könne Kai Taschner in seiner Rolle als Hana nicht wirklich überzeugen. [2] In den Top-Videonews des Kinder- und Jugendfilmzentrums heißt es: „‚Tokyo Godfathers‘ ist ein mitreißender Animationsfilm der emotional bewegt, aber auch rasante Actionsequenzen anbietet. […] Emotionen und Aktionen verbindet Satoshi Kon in diesem Anime zu filmischen Ausdrucksformen, die die Zuschauer eintauchen lassen in eine außergewöhnliche, bewegende sowie packende märchenhafte Geschichte. “ [3] Weblinks [ Bearbeiten | Quelltext bearbeiten] Tokyo Godfathers in der Internet Movie Database (englisch) Internationale Website des Films (englisch) Japanische Website des Films bei Sony Pictures (japanisch) Eintrag im Anime News Network (englisch) Einzelnachweise [ Bearbeiten | Quelltext bearbeiten] ↑ 制作日誌. (Nicht mehr online verfügbar. ) In: 東京ゴッドファーザーズ. Sony Pictures Japan, 24. Juni 2003, archiviert vom Original am 14. April 2006; abgerufen am 16. Juni 2009 (japanisch): „ そう『三人の名付け親』こそ、監督がホームレスと赤ん坊というテーマを思いついた初っ端から、頭の片隅に置かれていた作品。 “   Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis. ↑ a b Animania 3/2005, S. 10 ff. ↑ TOKYO GODFATHERS. Top-Videonews. Herausgeber: Kinder- und Jugendfilmzentrum im Auftrag des BMFSFJ.

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